Rashad Becker ’s musical compositions are known for their unique conceptualization , extreme control of sonic detail , and innovative explorations of synthesized music.Rashad Becker ‘s tunes embody the experimental and avant-garde nature of contemporary electronic music : The compositions are characterized by fragmented ,abstract sounds that are not easily categorized , incorporating elements of field recordings , synthetic textures , and digital manipulation. The timbre of the sounds in the piece is crucial , from harsh distorted noise to soft grainy tones. These timbral variations have created an evolving soundscape.
Rashad Becker ’s ’ Themes I ‘ is featured on his album ‘Traditional Music of Notional Species Vol. I ‘. This track is a bold innovation in electronic music , showcasing Becker ‘s mastery of sound design. Sound is stretched and distorted to create a texture that is both familiar and unfamiliar. The complex structure of the track , divided into “Themes ” and “Dances , ” guides listeners through Becker ‘s musical world.
Becker ‘s work is closely linked to the concept of “signification , ” through sound , he creates a unique system of symbols that are both referential and open -ended. In Themes I , various sound elements can be interpreted by the listener as different symbols , thus triggering individualized associations and meaning constructions. For example , certain sounds may be interpreted as elements of the natural environment , such as underwater grunts , rolling of waves , or intonations and cues of human conversation. This openness allows the listener to assign specific meanings to these sounds based on their experiences and emotions , thus transforming abstract sounds into personalized symbols. Becker
intentionally avoids explicitly interpreting these sounds , instead using titles such as “Dances I-IV ” and “Themes I-IV ” to illustrate the meaning of these sounds. “Themes I-IV ” encourages the listener to explore and interpret freely. This approach not only enriches music but also reflects the semiotics of the dynamic process of symbol generation and interpretation.
Becker ‘s work reflects the fluidity of meaning , as his voice does not follow a fixed or stable meaning. This fluidity encourages listeners to think about and question whether meaning in music is always necessary. Becker ‘s method reflects the trend of contemporary experimental music , which often attempts to separate sound from fixed cultural or symbolic connections , allowing it to exist in its way.
References
Chion, M. (2009) Audio-Vision: Sound on Screen. New York: Columbia University Press.